The conga, or more properly the tumbadora, is a tall, narrow, single-headed Cuban drum with African antecedents. It is thought to be derived from the Makuta drums or similar drums associated with Afro-Cubans of Central African descent. A person who plays conga is called a conguero. Although ultimately derived from African drums made from hollowed logs, the Cuban conga is staved, like a barrel. These drums were probably made from salvaged barrels originally. They are used both in Afro-Caribbean religious music and as the principal instrument in rumba. Congas are now very common in Latin music, including salsa music, merengue music, and Reggaeton, as well as many other forms of American popular music.
Most modern congas have a staved wooden or fiberglass shell, and a screw-tensioned drumhead. They are usually played in sets of two to four with the fingers and palms of the hand. Typical congas stand approximately 75 centimetres (30 in) from the bottom of the shell to the head. The drums may be played while seated. Alternatively, the drums may be mounted on a rack or stand to permit the player to play while standing. While they originated in Cuba, their incorporation into the popular and folk music of other countries has resulted in diversification of terminology for the instruments and the players. Ben F. Jacoby's Introduction to the Conga Drum holds that the drums are called congas in English, but tumbadoras in Spanish. The drums, in order of size from largest to smallest, are the tumba, conga, quinto, the rare requinto, and the side-strap mounted ricardo. The Conga Page agrees with the congas vs. tumbadoras terminology. Music of Puerto Rico refers to the drums only as congas, but gives the names as tumba for the largest and niño for the smallest, not providing names for the two middle drums. Alex Pertout's The Conga Drum: an Introduction points out that the names for the individual drums vary even in Cuba, and gives the names of three drums: tumbadora (largest), conga or segundo (middle), and quinto (smallest).
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