Thursday, December 22, 2011

Goblet drum

The goblet drum (also chalice drum, darbuka, doumbek, dumbec, or tablah, Persian: دمبک, Arabic: دربوكة‎ / ALA-LC: darbūkah) is a hand drum with a goblet shape used mostly in the Middle East, North Africa, and Eastern Europe.

Though it is not known exactly when these drums were first made, they are known to be of ancient origin. Some say they have been around for thousands of years, used in Mesopotamian and Ancient Egyptian cultures. There has also has been some debate that they actually originated in Europe and were brought to the Middle East by nomadic Celtic tribes.

Its thin, responsive drumhead and resonance help it produce a distinctively crisp sound. Traditionally, goblet drums may be made of clay, metal, or wood. Modern goblet drums are also sometimes made of synthetic materials, including fiberglass. Modern metal drums are commonly made of aluminum (either cast, spun, or formed from a sheet) or copper. Some aluminum drums may have a mother-of-pearl inlay, which is purely decorative. Traditional drum heads were animal skin, commonly goat and also fish. Modern drums commonly use synthetic materials for drum heads, including mylar and fiberglass.

Djembe - West Africa

A djembe (ˈdʒɛmbeɪ/ jem-bay) also known as jembe, jenbe, jymbe, yembe, or jimbay; is a skin-covered drum meant played with bare hands. According to the Bamana people in Mali, the name of the djembe comes directly from the saying "Anke djé, anke bé" which translates to "everyone gather together in peace" and defines the drum's purpose. In the Bambara language, "djé" is the verb for "gather" and "bé" translates as "peace".

It is a member of the membranophone family of musical instruments: a frame or shell (in the djembe's case it is a wood shell) covered by a membrane or drumhead made of rawhide or some other material. Djembes are commonly about 12" (30 cm) in diameter and 24" (60 cm) in height, varying a few inches. They can also be found in many smaller sizes, from 5" (13 cm) to 18" (46 cm) in diameter. As a result of the goblet shape, the density of the wood, the internal carvings, and the skin, there is a wide range of tones that can be produced by the djembe. The rounded shape with the extended tube of the djembe body forms a device known in physics as a Helmholtz resonator, giving it its deep bass note. The primary notes are generally referred to as "bass", "tone", and "slap", though a variety of other tones can also be produced by advanced players. The slap has a high and sharp sound, the tone is more round and full, and the bass is low and deep.

Dhol - India

The dhol is a drum that dates back to the 15th century. It was probably introduced to the Indian subcontinent via the Persian drum type dohol (duhul). The evidence for this is found in Ain-i-Akbari, which describes the use of duhul in the orchestra of the Mughal emperor Akbar. The Indo-Aryan word "dhol" appears in print around 1800 in the treatise Sangitasara.

Playing:

Someone who plays the Dhol is known as
Dholi (Punjabi: ਢੋਲੀ). The Dhol is played using two wooden sticks, usually made out of bamboo and cane wood.

The stick used to play the bass[disambiguation needed ] side of the instrument, known as the dagga, is a bit thicker (roughly about 10 mm in diameter) and is bent in a quarter-circular arc on the end that strikes the instrument. The other stick, known as tihli, is much thinner and flexible and used to play the higher note end of the instrument.

The Dhol is slung over the neck of the player with a strap usually made up of ropes or woven cloth. The surface of the wooden barrel is in some cases decorated with engraved or painted patterns.

Rhythms:
In the pre-Partition era, dozens of rhythms were played on the Punjabi dhol, which corresponded to specific functions. However, with the decline or disappearance of some cultural practices, recent generations of dhol-players have become unfamiliar with many of these.

Akon Biography

The story of Senegal born soul singer...
After winning music fans over with his 2003 multi-platinum debut Trouble, Senegalese singer Akon returns with more stories from his personal journey via his sophomore CD Konvicted. If Trouble was Akon’s ode to redemption (before his music career took off he served time for car theft), Konvicted picks up at rebirth. His mission now is to reinvent himself through his salvation - music.

The son of accomplished jazz musician Mor Thiam, Akon was introduced to varied musical styles early on. “I grew-up listening to all kinds of music. Obviously I love soul songs, but I also like mixing in other types of music,” Akon confesses. “For every Stevie Wonder track I’ve listened to, there is another by Steely Dan that helped shape me as an artist.”

Although the hit single “Locked Up” earned him street credibility, the artist’s multifaceted sensibilities are evident on his second album. Akon produced and wrote all but one song on Konvicted. The album features tracks recorded with Eminem (the first single, “Smack That”), Snoop Dogg (“I Want to Love You”) and Styles P. (who laced Akon’s debut hit single, “Locked Up”). Konvicted balances streetwise swagger, studio originality and common sense to create one of the most honest releases of 2006.